Julie Perini: The Blog

First, you all need to run to your local library or independent bookseller and get Realizing the Impossible: Art Against Authority edited by Josh MacPhee and Eric Reuland.

Second, it is filled with interesting articles, but one in particular by anarchist anthropologist David Graeber is grabbing me right now.  It is called “The Twilight of Vanguardism” and in it he discusses a history of the idea of vanguardism, finishing up with some statements about how revolutionary alliances form between society’s least alienated people (artists in this discussion) and most oppressed people.  Here is an excerpt:

“For me the really intriguing question is this:  why is it that artists have so often been drawn to revolutionary politics in the first place?…It seems to me the answer must have something to do with alienation.  There would appear to be a direct link between the experience of first imagining things and then bringing them into being (individually or collectively) – that is, the experience of certain forms of un-alienated production – and the ability to imagine social alternatives, particularly the ability to imagine a society itself premised on less alienated forms of creativity.”

The talk at the Visual Studies Workshop in Rochester last weekend was a blast.  We had this interesting crowd of smarty-pantses from the area, asking all sorts of smarty-pantsed questions about what I think about the discipline of athropology, this wave of “social practice” sweeping over the art world, and more.

By The Center for Urban Pedagogy

This past weekend I zipped down to Pittsburgh for the afternoon to see “Experimental Geography” at the Miller Gallery at Carnegie Mellon.  It’s a great show, but I cannot figure out from the site who was responsible for my two favorite pieces.  I will get back to you on this one.